| 1999 | ||
| quarterly | ||
| English | ||
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Humanities and Social Sciences |
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| 1543-1304 | ||
| Routledge (Taylor and Francis) | ||
» Safundi to be Published by Routledge
Routledge Journals is proud to announce the first issue of Safundi: The Journal of South African and American Studies to be published in print and online by Routledge.
Safundi: The Journal of South African and American Studies
![]() Safundi -- "S" represents "South Africa," "a" stands for "America," and "fundi" comes from the Xhosa verb, "-funda," which translates as "to read/learn." |
April 2001, Issue 05
The Poetics of Politics: Imagi[ni]ng the New South African Nation
The author investigates how contemporary urban murals of the post-apartheid era contribute to the process of reconciliation and of creating and disseminating a new national identity for South Africa.
Review of Long Night’s Journey Into Day: South Africa’s Search for Truth and Reconciliation
The Oscar-nominated documentary Long Night's Journey into Day provides a compelling view into the impact of the Truth and Reconciliation Committee on the lives of those who participated in it, both as perpetrators and survivors of gross violations of human rights. What does the film, made by Americans and primarily for Americans, tell us about race relations in the United States and South Africa? The author examines the possibilities and pitfalls of examining the TRC for an American audience.
Access to Higher Education: Race, Resources and Social Exclusion
The author outlines the similarities and differences in "affirmative action" decisions in higher education in the United States, the United Kingdom, and South Africa.
Problems in Learning from Traumatic History: A Psychoanalytic Inquiry
The author brings the problem of learning from the past by considering two responses to historical trauma: the trial of Adolf Eichmann and the South African Truth and Reconciliation Commission. The author then offers two conceptualizations for thinking about how past trauma might be instructive in our present, and she overviews some of the problems in learning from traumatic pasts.
Michael S. Harper’s Passbook: Africa in Healing Song for the Inner Ear
This essay takes as its starting point the author's interview with the African-American poet Michael S. Harper. The interview -- in which Harper discusses "race rituals," power as a function of the artist, and his own complex connections to Africa -- provides insight into themes of exile, return, and loss threaded through his collection Healing Song for the Inner Ear (1985). Holding particular meaning for Harper are his detention in Soweto in the 1970s and his great-grandfather's work as a medical missionary in South Africa at the beginning of the twentieth century. This essay compares Harper to his contemporary, the photographer Peter Beard, a white American who has lived in East Africa for decades.
The Fulbright Experience: An Incoherent African Perspective
The author informally reflects on his Fulbright experience in the United States.
Comparative Lessons for the Future
The author describes major global trends that are impacting national efforts to combat racism in Brazil, South Africa, and the United States, and she argues that global manifestations of racism require remedies of commensurate scope.
Academic Freedom in the New South Africa
The author analyzes academic freedom in South Africa while presenting an argument in support of its continual evaluation. The article is another attempt to suggest that progressive intellectuals can also be interested in academic freedom, and indeed should work to resist its becoming a received idea, either in South Africa or elsewhere.
“Pariahs in the Land of Their Birth in the Search for Identity”: Sol Plaatje and Frederick Douglass
In his book, Native Life in South Africa, Sol Plaatje uses many of the narrative techniques employed by the writers of American slave narratives. This paper compares Plaatje's work with Frederick Douglass' Narrative and explores the similarities and differences in the ways Plaatje and Douglass construct identity.
Gold
The author addresses the socio-economic phenomenon of material objects having the power to hold value and represent the owners' social worth. Finding inspiration in the image of gold itself, the author's intent was to imbue the poem with a sense of the ramifications of investing objects with such power, as they are well demonstrated in the history of South Africa, while showing that human value will prevail over monetary worth.
Other Issues
April 2007, Volume 8, Number 2
January 2007, Volume 8, Number 1
Deterritorializing American Culture, 23
July 2000, Issue 02
October 2000, Issue 03
January 2001, Issue 04
July 2001, Issue 06
November 2001, Issue 07
February 2002, Issue 08
May 2002, Issue 09
April 2003, Issue 10
July 2003, Issue 11
October 2003, Issue 12
April 2004, Issue 13-14
July 2004, Issue 15
October 2004, Issue 16
January 2005, Issue 17
April 2005, Issue 18
July 2005, Issue 19
October 2005, Issue 20
George Fredrickson's White Supremacy
, Issue 21
Safundi Issue 22, Issue 22

