| 1972 | ||
| monthly | ||
| Mandarin Chinese | ||
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Literary/Cultural Studies |
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| 0303-0849 | ||
Editorial Board Members: |
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Chung-Wai Literary Monthly
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Launched in 1972 by the Department of Foreign Languages and Literatures, National Taiwan University, Chung-Wai Literary Monthly is a pioneering journal on comparative studies of Chinese literature and literatures from other parts of the world. When cultural studies were emerging as a new field of studies in Taiwan in the late 1980s, Chung-Wai was instrumental in promoting the new scholarship by devoting several special issues to cultural studies around the world. Ranking as a first-rate academic journal according to the evaluation of Taiwan’s National Science Council, Chung-Wai has consistently won the recognition and recommendation of Chinese-language scholars and researchers worldwide Each issue of Chung-Wai features a theme, such as Native North American Literature, Transnational Culture and Taiwanese Literature, Urban Space and Cultural Governance, Economy of Exchange, Minor Theatre, Literary Studies and Biblical Tradition, Chinese Perspectives on Shakespeare, Gustave Flaubert and His Fiction, Chinese Culture in an Inter-Asian Context, Literary London, Biosemiotics, and so forth. Most of the special issues are edited by guest-editors, all distinguished scholars of the featured themes. In addition to themed articles, every issue also includes research articles on cutting-edge theories and practices in literary and cultural studies. All submissions to Chung-Wai are subject to a double-blind review process by specialists in related research fields. A meeting place for a wide range of disciplines and theoretical approaches, Chung-Wai is the most recognized Chinese-language literary/cultural studies journal in Taiwan and has continued to provide a forum for challenging disciplinary boundaries, fostering innovative connections, and examining the relevance of comparative literary studies to our contemporary society. |
Contemporary Native North American Literature in Metamorphosis: A Voice from the Margins, Vol. 33, No. 8
Reading Joy Harjo's "Mapping" of Emergence: Re-visioning Collective Experience (Trans. Chia-hsuan Kao)
Vision Quest and Transformation Myth: Poetics of Native American Spirituality in Louise Erdrich's The Bingo Palace
Nightland Gothic: The Representation of Native Ghosts
Representing Trauma, Memory, and America's Histories in Leslie Marmon Silko's Gardens in the Dunes and Linda Hogan's Power
The Narrativation of History: Narrative, Memory, and Tribal History in Winter in the Blood and Fools Crow
"Where Did All the Water Come from?": A Dialogue between Wilderness and Garden in Thomas King's Green Grass, Running Water
That the People Might Laugh: The Comic Holotropes in Gerald Vizenor’s Hiroshima Bugi
A Pain in the Neck, a Scene of "Incest," and Other Enigmas of an Allegorical Cinema: Tsai Ming-liang's The River (Trans. Ying Wang)
Other Issues
Urban Cultural Governance
, Vol. 33, No. 9
Literary Studies and Biblical Tradition: 28th National Conference on Comparative Literature
, Vol. 33, No. 10
“For All Time”: Some Chinese Perspectives on Shakespeare
, Vol. 33, No. 11
Gustave Flaubert and His Fiction
, Vol. 33, No. 12
Chinese Culture in an Inter-Asian Context
, Vol. 34, No. 1
Literary London: Cityscape, Boundaries and London's Urban Literature
, Vol. 34, No. 2
Special Issue on Digital Culture
, Vol. 34, No. 3
Chinese-Language Literature in the United States
, Vol. 34, No. 4
New Perspectives on Japanese Literature
, Vol. 34, No. 5
Fourth Centenary: Many Faces of Don Quixote
, Vol. 34, No. 6
Biosemiotics: Nature in Culture or Culture in Nature?
, Vol. 34, No. 7
