About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Boisseau, Tracey Jean. "The African Adventures of May French-Sheldon: A Critical Cultural Study of an Imperial Feminist," Department of History, Binghamton University, June 1996.

This dissertation examines the public career of May French-Sheldon (1847-1936), a wealthy, white, American woman who became known in the 1890s as the “first woman explorer of Africa” as a result of her 1891 “expedition” in the Kilimanjaro region of East Africa. My work on French-Sheldon’s self-presentation as a “White Queen in Africa,”—and on the popular press’s representation of her as a “New Woman” in the 1890s and as a feminist role model in the 1920s—contributes to current theorizing regarding the construction of U.S. national identity, imperial subjectivity, and an exclusively-white feminist iconography during the Progressive Era.