About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Lentz, Kristen Marthe. "Television as Bad Object: Feminism, Race and the Politics of the Sign in 1970s Television and Film," American Civilization, Brown University, May 2000.

The period from the late 1960s through the decade of the 1970s saw the powerful resurgence and dissemination of feminist ideas and practices in the United States. At the same time, this period witnessed an extraordinary variety of changes within the U.S. television industry: the rise of independent studios, a new attention to demographics amongst advertisers and ratings companies, and the introduction of social and political issues, normally reserved for non-fiction programs into fictional television programs. This dissertation argues that these two sets of historical transformation are linked in important ways. Indeed, feminism had had a profound effect upon one of television’s most important projects: its representations of itself. While most treatments of feminism and television tend to argue that television has distorted or erased feminist issues and events, this dissertation argues to the contrary, that television’s own self-representations relied heavily upon feminist logics and narratives.