About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Stripes, James D. "Spring Wind Rising: The American Indian Novel and the Problem of History," American Studies Program, Washington State University, August 1994.

This work suggests American Indian fiction writers (James Welch, Louise Erdrich, Elizabeth Cook-Lynn, and Gerald Vizenor) challenge histories and policies grounded in assumptions of the conquest and cultural extinction of indigenous peoples. Their works embrace cultural sovereignty, I argue, insofar as they deflate nostalgic efforts to recover lost memories, disrupt linear models of assimilation, attack legal manifestations of the guardian-ward system of tropes, and interrogate the circumvention of resistance in binary oppositions. I challenge historians to consider the modes of fiction more seriously as discourses of history, while maintaining that multiculturalisms cannot proceed without certain conventions of historiography.