About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Fraga, Maria I. Isabel. "Make It Fast and Keep It Moving: Post-Cold War Action Films and Globalization," American Studies, University of Kansas, December 2000.

This dissertation examines Hollywood action films produced after the end of the Cold War. I study a selection of big budget action films in relation to the political-economic context that produced them, as well as in terms of genre and reception, thus paying attention to the relations between economic (e.g. industrial dualism, conglomeration, globalization) and aesthetic changes (e.g. hybrid narratives). I contend that these films reflect metonymically to the economic process of globalization, as well as to the conglomeration that affected the Hollywood studios in the late 1980s. Action films in the 1990s are, more than ever, conceived with the international market in mind, and affected by the struggle for profits that the Hollywood corporations are engaged in. In this struggle two intertwined factors have ensured the success and survival of action films: the elasticity of the genre and the major’s control of distribution outlets. Likewise, Hollywood technological resources and specific business practices (block booking, saturation marketing or extended runs) have also aided in ensuring global success for these films.