About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Mar. 1 | 2012 Franklin Prize
Nominations for 2012 John Hope Franklin Publication Prize for the best-published book in American Studies due

Mar. 1 | 2012 Romero Prize
Nominations for 2012 Lora Romero Publication Prize for the best-published first book in American Studies due

Mar. 1 | Community Partnership Grants
Applications for the 2012 Community Partnership Grants Program to assist American Studies collaborative, interdisciplinary community projects due

Resources: Abstracts of American Studies Dissertations

By University | By Year

Bielen, Kenneth G. "Lyrics of Civility: The Language of Popular Music and the Secularization of American Culture," American Culture Studies, Bowling Green State University, December 1994.

This is a study of religious images in best-selling recordings from the first seven decades of the century, though the study deals primarily with the 1950s and 1960s. Using lyric analysis, I focus on the “civil” language of lyrics that embrace the Biblical sacred order. I argue that this language dilutes the meaning found in the Biblical tradition and, therefore, even though certain songs may appear to uphold the Biblical order, they are agents of secularization. Further, popular songs of the late 1960s that rejected the Biblical sacred order, unlike songs that accepted the tradition, used specific, meaningful language.