About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Shank, Barry. "Identity, Community, Postmodernity: The Rock’n'roll Scene in Austin, Texas," University of Pennsylvania, October 1991. Advisor: Janice Radway (18, 2, 14)

Drawing on interviews with musicians, fans, and local representatives of the music industry, as well as my own participation, this dissertation studies the production and consumption of popular music in the rock’n'roll scene in Austin, Texas, mapping out the boundaries of this scene and describing the discursive means whereby these boundaries are policed. I use Julia Kristeva’s concepts of the semiotic and the subject in process to explore the relations between individual experiences of pleasure and fandom and the historically developed cultural, political, and material context of the scene. I essay a preliminary theory of musicality in an attempt to explain the power of musical practice to cross discursive boundaries, blending diverse groups into a postmodern community.