About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Pagni, Charlotte. "Hollywood Does Kinsey: Cinema, Sexology, and Cultural Regulation, 1948-1968," American Culture, University of Michigan, Ann Arbor, August 2003.

Cinema and sexology have been profoundly linked as technologies of cultural regulation since the early 1900s. The sensational publication of the Kinsey reports on male (1948) and female (1953) sexual behavior symbolically inaugurated a new era of sexual frankness in American culture and in the cinema. As such, the Reports played a key role in the film industry’s transition from the Production Code Administration to the Classification and Ratings Administration in 1968, and spawned a cycle of mainstream films appropriating the practice of sex research as a narrative premise. A critical analysis of these films and artifacts of their production, promotion, and reception provides insight on the function of sexological discourses in the process through which significant shifts in the cultural meanings of gender and class were negotiated in the American cinema of that period.