About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Mar. 1 | 2012 Franklin Prize
Nominations for 2012 John Hope Franklin Publication Prize for the best-published book in American Studies due

Mar. 1 | 2012 Romero Prize
Nominations for 2012 Lora Romero Publication Prize for the best-published first book in American Studies due

Mar. 1 | Community Partnership Grants
Applications for the 2012 Community Partnership Grants Program to assist American Studies collaborative, interdisciplinary community projects due

Resources: Abstracts of American Studies Dissertations

By University | By Year

Landsmark, Theodore Carlisle. "'Haunting Echoes': Histories and Exhibition Strategies for Collecting Nineteenth-Century African American Crafts," American and New England Studies, Boston University, January 1999.

Collectors of vernacular crafts made by black artisans for African American use provide distinctive insights into how blacks represented their cultural values to themselves. This dissertation examines three private collections of…nineteenth-century African American art and crafts… Part I…explores the interpretive strategies of ethnographic collecting and surveys the historiography of research into nineteenth-century African American vernacular crafts. Part II examines [three private collectors who] transcended the limitations of available scholarship in their interpretations of nineteenth-century African American artisanry. Their collections represent slave craftsmanship, “make-do” aesthetics, and free black entrepreneurship… Part III acknowledges that early African American culture had syncretic influences on other cultures. [The] work concludes with recommendations for assessing artisanal authenticity and enhancing the interpretive authority of collections of nineteenth-century African American vernacular crafts.