About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Ashe, Bertram D. "From Within the Frame: Storytelling in African-American Fiction," American Studies Program, College of William and Mary, June 1997.

The purpose of this study is to explore the written representation of African-American spoken-voice storytelling in Charles Chesnutt’s The Conjure Woman, Zora Neale Hurston’s Their Eyes Were Watching God, Ralph Ellison’s Invisible Man, Toni Cade Bambara’s “My Man Bovanne,” and John Edgar Wideman’s “Doc’s Story.” This study examines the process whereby the narrative “frame” that historically “contained” and “mediated” the black spoken voice modulated and developed to the extent that by the late sixties African-American writers published stories and novels in an unmediated spoken-voice, effectively emerging “from within the frame.” The results of this study suggest that the African-American “discourse of distrust” was a factor from the earliest fictions and is still very much a factor today.