About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Woubshet, Dagwami. "Figurations of Catastrophe: the Poetics and Politics of AIDS Loss," History of American Civilization, Harvard University, June 2007. Advisor: Marc Shell

In “Figurations of Catastrophe: the Poetics and Politics of AIDS Loss” I consider, comparatively, the responses to the AIDS catastrophe in the United States and South Africa. In the first three chapters, I pay careful attention to the poetics of AIDS loss in the United States; and, in the last chapter, I examine the politics of AIDS representation in the United States and South Africa. I rely on the world of artist-mourners to outline a poetics of AIDS loss. I argue that their creative responses to AIDS usher in what I call a poetics of compounded loss: an enterprise entangled in the grief over the death of others and the proximate death of the artists themselves. Such an exigent enterprise challenges the boundaries of extant conventions for mourning and consolation, including the elegy and the obituary, and furthermore presents us with new ways of thinking about, theorizing mourning and melancholia. The figuration of any epidemic is contingent on figures already in circulation to denote health and pathology; and in the U.S. and South Africa, where race is a central pivot, I find instructive the way race informs AIDS discourse. Therefore, in the last chapter, I shift the focus to the politics of representation to analyze how race, health and nationalism are closely calibrated in framing AIDS discourse in both the United States and South Africa.