About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Events

Jun. 30 | 2012 Bode-Pearson Prize
Nominations for the 2012 Bode-Pearson Prize for Outstanding Contributions to American Studies due

Jun. 30 | 2012 Mary C. Turpie Prize
Nominations for the 2012 Mary C. Turpie Prize for Outstanding Contributions to American Studies Teaching, Advising, and Program Development due

Oct. 1 | Travel Grants for Graduate Students
For submission guidelines, click here

Resources: Abstracts of American Studies Dissertations

By University | By Year

Hill, Sarah H. "Cherokee Patterns: Interweaving Women Had Baskets in History," Emory University, January 1991. Advisor: Allen Tullos (11, 13, 3)

From approximately 1400 A.D. to the present, Southeastern Cherokee basketweavers, usually women, developed four major basketry traditions, three of them in the last 150 years. Each tradition is based on a different material—rivercane, white oak, honeysuckle, and maple. The incorporation of new materials and the development of new basketry traditions have occurred in the context of lived experiences, ecological processes, social conditions, economic circumstances, and historical events. Examination of cherokee basketry traditions elucidates historical transformations in Cherokee culture, and illuminates interrelationships between material objects and the society producing them.