About these images


Login

This isn't the login for the JHU Press web site (dues payments, AQ, and EAS Online). For that, click here. (more details)

Are you a current ASA member?
Forgot your password?

Register

If you haven’t already, register to start contributing news and events, and to search the Member Directory. Registration is free, but only open to current members of the American Studies Association.

Click here to get information on joining the ASA.

Events

Jan. 9 | Call for papers: Identities and Technocultures
A 2-day conference about American culture and technologies that examines how new technologies dominate and define Americaness in the US and abroad. Co-sponsored by the University of Iowa Center for Ethnic Studies and the Arts (CESA) and the Mid-America American Studies Association (MAASA).

Resources: Abstracts of American Studies Dissertations

By University | By Year

Smart, Karl L. "A Man for All Ages: The Changing Image of Benjamin Franklin in Nineteenth-Century American Popular Literature," University of Florida, May 1989. Advisor: John Seelye (12, 2, 18)

The image of Franklin is analyzed from his own carefully self-crafted public figure through subsequent biographers and critics (Weems, Alger, and others) who refashion it to reflect prevalent ideologies. Images range from a pious Christian to a mythicized, larger-than-life figure credited for almost every event in American colonial history. Emphasizing literature intended for children, Franklin’s image is traced through four distinct phases of the nineteenth century: Early (1800-1829), Mid-Century (1830-1859), Civil War and Post-Civil War (1860-1879), and Late (1880-1900). The Franklin which early twentieth-century critics such as D. H. Lawrence reacted against and the image which still remains popular is largely a creation of the nineteenth century.