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Mid-America Chapter
Please visit the new MAASA website at http://www.midamerica-asa.net! MAASA covers eleven states, including Arkansas, Illinois, Iowa, Kansas, Minnesota, Missouri, North Dakota, Oklahoma, South Dakota, and Wisconsin, in the mid-continent area. It publishes the journal American Studies, (currently produced at the University of Kansas American Studies program) four times per year. ASA members residing in the region are automatically MAASA members. Others can become members by checking the appropriate box on the ASA membership form) as well as by subscribing to American Studies. Members joining through ASA are entitled to all membership privileges except for the journal. To receive the journal you must subscribe to it. To subscribe to the journal, please visit http://www2.ku.edu/~amerstud/.
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MAASA Joint Conference—April, 2011
Joint Conference on Material Culture Studies, April 7-11, 2011 at U-W Madison
Raeburn Honored as 2010 Kolmer Award Winner
John Raeburn (PhD, American Civilization, Penn), professor of American Studies and English at the University of Iowa, where he has taught American 20th-century cultural history, American photography, American film, American literature after 1865, and the history of the book since 1974, was the recipient of the 2010 Elizabeth Kolmer award for graduate mentoring. Professor Raeburn’s students thank him for teaching them to become stronger writers, leading job search information sessions, writing recommendation letters “famous for their thoroughness and persuasiveness,” and providing generous professional and emotional support during and after graduate school. “Perhaps most of all,” one former student wrote, John “has provided me with a model for a balanced, responsible, and caring teacher and academic professional… [who] knew that the academic world was not the center of the universe, and that other personal needs sometimes trumped professional success.”
Stone-Suderman Award for American Studies Vol. 48
The Mid-America American Studies Association (MAASA) is pleased to announce that Colin R. Johnson, Assistant Professor of Gender Studies at Indiana University, is the winner of the Stone-Suderman Prize for the best essay published in Volume 48 of American Studies. His essay, “Camp Life: The Queer History of Manhood in the Civilian Conservation Corps, 1933-1937” argues that CCC camps were sites of negotiation over the meaning of masculinity in the 1930s, concluding that “life in the CCC was anything but straight and narrow.”
The award committee noted the essay’s range of relatively untapped New Deal sources—including newspaper articles, photographs, and cartoons—that contest prevailing assumptions about the CCC by bringing to light practices ranging from drag performances to linguistic play. In addition, Johnson argues that understandings of gender and sexuality were created and contested not only in urban areas that are most often the focus of scholarship on queer masculinity; rural locations also function as spaces for forging masculinities.
Johnson earned his Ph.D. in American Culture from the University of Michigan. His research interests include rural life, cultural geography and land use, and the history of technology and agriculture. A version of the essay will be included in a manuscript tentatively titled The Little Gay Bar on the Prairie: Gender, Geography and the Invention of Sexuality in Non-Metropolitan America.
Winner of the 2009 Katzman-Yetman Award - Bess Williamson
The Mid-America American Studies Association (MAASA) is pleased to announce that Bess Williamson, Ph.D. candidate in American History at the University of Delaware, is the winner of the 2009 Katzman-Yetman Prize for Outstanding Graduate Student Paper for Technology and Disability Identity: The Toomey J. Gazette, 1958-1969. Ms. Williamson presented her winning paper on the Toomey J. Gazette at the 2009 Identities and Technoculture Conference, co-sponsored by MAASA and the University of Iowa¹s Center for Ethnic Studies, held April 3 ¬-4 in Iowa City.
The Cleveland-based Toomey J. Gazette began as a newsletter affiliated with a polio rehabilitation center and expanded into a community newspaper “by, for, and about” readers who suffered severe physical disabilities after surviving acute cases of polio. Ms. Williamson’s paper explores how technical information-sharing through the Gazette helped build community identity among people with disabilities in postwar America.
The awards committee was impressed with how Ms. Williamson’s paper engaged with important and intersecting issues in the fields of technology studies, medical history, and identity studies. In the process, Ms. Williamson made a convincing case for the larger historical significance of her particular case study. Ms. Williamson¹s winning paper is part of her larger dissertation project, entitled “The Right to Design: Disability and Access in the United States, 1945-1990.” This spring, Bess Williamson is a Baird Society Fellow at the Smithsonian Institution Libraries.
In the strong 2009 competition, two other entrants earned honorable mention. The awards committee recognized Alexander Bonus of Case Western Reserve University for his entry, “Johann Maelzel, the Metronome, and Mechanized Music in Nineteenth-Century America,” and Emily Laurel Smith of the University of Minnesota for her entry, “Classifying the Needy: Disability and the TV Techno-Makeover.”
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4/07/11: MAASA Joint Conference—April, 2011
The Life Of The Object: An Experimental Workshop And Conference On Production, Consumption, and Creative Reuse In American Culture
The Mid-America American Studies Association (MAASA) Conference at The University of Wisconsin-Madison
Sponsored by the UW Art History Department, the Material Culture Certificate Program, the Material Culture Focus Group, the Art History Grad Forum, and the Chipstone Foundation
April 7-11, 2011
Historians and cultural critics who study objects have long focused on the relationships between production and consumption, but these dynamics deserve reexamination in today’s object-flooded world. At the same time, the concept and aesthetic of reuse is enjoying the spotlight in contemporary fashion and design, but has been employed for many years by architects, artists, and the American public as a strategy for survival as well as a political statement. This interdisciplinary experimental workshop and conference invites questions related to the core themes of production, consumption, and reuse in American history and contemporary life.
This workshop and conference offers an unconventional venue for considering the role of objects in American culture. It will consist of hands-on workshops and experiments with objects while also offering a more traditional scholarly context for the presentation of papers. We believe that our understanding of material culture relies as much upon rigorous scholarly research as the sensorial and tactile engagement with artifacts and cultural landscapes.
THE PARTICIPATORY ELEMENT:
We will hold an interactive event in which all conference participants explore the shops along State Street in Madison to consider the three main themes of the conference: production, consumption, and reuse. State Street is the area’s most diverse shopping district and it includes stores selling everything from handmade Tibetan garments to The Gap’s clothing, and Wisconsin cheese to Einstein’s Bagels. Participants will be asked to think about themes such as globalization and production, regionalism and material identity, and the commodification of ethnicity. Conference participants will spend an hour or two in groups documenting evidence of these themes with digital cameras and/or video recorders. We will then reconvene as a group, share these collected images, and participate in a panel discussion moderated by scholars in each of the three themed areas.
We will also offer the opportunity for object studies at the Chipstone Decorative Arts Collection in the Milwaukee Art Museum. The chance to closely examine and analyze these pieces of early American material culture will provide a sense of real life engagement with artifacts rarely found at most American Studies Conferences.
PANEL PRESENTATIONS AND THE CALL FOR PAPERS:
For our panel discussions, we seek papers broadly related to the study of material culture, craft, art, consumerism, design, reuse, industrial design, architecture, and cultural landscapes. Our conference aims to involve academics, independent scholars, graduate students and practicing artists from fields as diverse as American studies, design studies, history, art history, anthropology, geography, sociology, art, English, philosophy, decorative arts studies and cultural studies. We will offer two days of panel papers of twenty minutes in length. Selection of these papers will be based upon originality, scholarly promise, and relevance to the main themes of the conference.
The first series of panels will be dedicated to the act of making. We are open to any topic related to this theme as it applies to American culture. Possible panel themes may include the following:
—Made In China, Sold In America: The Global Reach of Chinese Material Culture
—The Obsolescent And The Eternal: Timeless Values of Craft Versus Throwaway Culture
—Sameness In The Material Culture Of The Americas: Homogeneity in Material Design and Appearance
-From Production To Consumption: Handcraft and Industrial Production In America in Contemporary and Historical Contexts
The second set of panels will explore issues of consumerism and overconsumption. Possible panel topics may be:
—Overconsumption On The Couch: A Gluttony For Objects
—The Fine Line Between Spaces of Laziness and Spaces of Leisure: The Rec Room and The Man Cave
—Bursting Bubbles in American Housing: The Material Impact of Financial Crises
—Foodways and Big Folks: Agribusiness And Obesity in American Culture
—Credit Cards and Virtual Money: Replacing The Tangible in The World of Data and Images
The final series of panels will focus upon reuse, sustainability and recycling within American culture and artistic practice. Possible panel discussions may include:
—The Future Of Found Objects In American Art and Architectural Practice
—From Trash To Treasure: The Perceived Historical and Monetary Value of Antiques and Collectibles
—Eco-Friendly Green Objects and Their Cool Factor: The Growth Of Green Material Culture, Sustainability and Recycling in America
—In addition to papers, this panel will also invite practicing artists to submit works of art for display or offer a live performance. Artists will be responsible for the safe transportation and display of their artwork.
We look forward to receiving paper proposals and art projects broadly related to the three panel themes discussed above. Please send an electronic abstract of no more than 500 words and a brief biographical sketch of no more than 200 words to:
by October 15, 2010. Please feel free to include digital images of artistic work. We will notify you of your paper’s acceptance by November 1, 2010. MAASA also awards the Katzman-Yetman graduate student paper prize to the best paper submitted to the conference. Participants submit their papers to the prize committee in advance, and the award consists of $250 and consideration by the journal American Studies. Please let us know if you wish to be considered for this award when submitting your paper proposal.
Submitted by Jane E Simonsen
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