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    <title>Visual Culture  Caucus, The ASA</title>
    <link>http://www.theasa.net/caucus_visual/</link>
    <description>The American Studies Association, exists to promote and encourage the study of American culture--past and present. Membership numbers approximately 5,000 and is open to all individuals and to cultural or educational institutions. Chartered in 1951, the American Studies Association now has more than 5,000 members. They come from many fields: history, literature, religion, art, philosophy, music, science, folklore, ethnic studies, anthropology, material culture, museum studies, sociology, government, communications, education, library science, gender studies, popular culture, and others. They include persons concerned with American culture: teachers and other professionals whose interests extend beyond their speciality, faculty and students associated with American Studies programs in colleges and secondary schools, museum directors and librarians interested in all segments of American life, public officials and administrators concerned with the broadest aspects of education. They approach American culture from many directions but have in common the desire to view America as a whole rather from the perspective of a single discipline.</description>
    <dc:language>{weblog_language}</dc:language>
    <dc:creator></dc:creator>
    <dc:rights>Copyright 2010</dc:rights>
    <dc:date>2010-07-14T17:45:33+00:00</dc:date>
    <admin:generatorAgent rdf:resource="http://www.expressionengine.com/" />
    


    <item>
      <title>Weisenberger Fellow of American Art</title>
      <link>http://www.theasa.net/caucus_visual/item/weisenberger_fellow_of_american_art/</link>
      <guid>http://www.theasa.net/caucus_visual/item/weisenberger_fellow_of_american_art/#When:17:45:33Z</guid>
      <description>The Indianapolis Museum of Art is pleased to announce an 8&#45;month
graduate curatorial fellowship. The Weisenberger Fellowship provides
curatorial training in American art and supports scholarly research of
the IMA collection of American painting and sculpture from 1800 to 1945.
The Weisenberger Fellow will also have collection management
responsibilities, with additional duties related to specific projects. 



The Weisenberger Fellow will receive a stipend of $16,000 plus benefits,
and housing on the museum campus is provided. The 8&#45;month fellowship
period will begin in January 2011.

&amp;nbsp;

To be eligible for the fellowship, the applicant must hold a Master&#8217;s
degree in art history or a related field. Applicants must demonstrate
scholarly excellence as well as a strong interest in the museum
profession. Applications should include a cover letter explaining your
interest in the fellowship, a curriculum vitae, a writing sample, and 3
letters of recommendation. Applications must be received by October 1,
2010.

&amp;nbsp;

Application materials may be emailed to .(JavaScript must be enabled to view this email address)
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 or mailed to:

Indianapolis Museum of Art

Attn: Human Resources

4000 Michigan Road

Indianapolis, IN 46208&#45;3326
Posted  in </description>
      <content:encoded><![CDATA[<p>The Indianapolis Museum of Art is pleased to announce an 8-month<br />
graduate curatorial fellowship. The Weisenberger Fellowship provides<br />
curatorial training in American art and supports scholarly research of<br />
the IMA collection of American painting and sculpture from 1800 to 1945.<br />
The Weisenberger Fellow will also have collection management<br />
responsibilities, with additional duties related to specific projects. </p>



<p>The Weisenberger Fellow will receive a stipend of $16,000 plus benefits,<br />
and housing on the museum campus is provided. The 8-month fellowship<br />
period will begin in January 2011.</p>

<p>&nbsp;</p>

<p>To be eligible for the fellowship, the applicant must hold a Master&#8217;s<br />
degree in art history or a related field. Applicants must demonstrate<br />
scholarly excellence as well as a strong interest in the museum<br />
profession. Applications should include a cover letter explaining your<br />
interest in the fellowship, a curriculum vitae, a writing sample, and 3<br />
letters of recommendation. Applications must be received by October 1,<br />
2010.</p>

<p>&nbsp;</p>

<p>Application materials may be emailed to <span id='eeEncEmail_7FtX46OZYr'>.(JavaScript must be enabled to view this email address)</span><script type="text/javascript">
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</script> or mailed to:</p>

<p>Indianapolis Museum of Art</p>

<p>Attn: Human Resources</p>

<p>4000 Michigan Road</p>

<p>Indianapolis, IN 46208-3326
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject>News</dc:subject>
      <dc:date>2010-07-14T17:45:33+00:00</dc:date>
    </item>

    <item>
      <title>CFP &#45; AHAA Symposium</title>
      <link>http://www.theasa.net/caucus_visual/item/cfp_&#45;_ahaa_symposium/</link>
      <guid>http://www.theasa.net/caucus_visual/item/cfp_&#45;_ahaa_symposium/#When:06:00:50Z</guid>
      <description>The Association of Historians of American Art (AHAA) will host its first&#45;ever independent symposium on American art, &#8220;Current Research in American Art,&#8221; Oct. 8&#45;9, 2010 (Fri.&#45;Sat., @ 8:00 am.&#45;9:30 p.m.) at St. Francis College in Brooklyn.

There will be no registration fee to attend, but participants must be AHAA members.&amp;nbsp;  Registration begins in mid&#45;August.&amp;nbsp; We&#8217;ll send out another email at that time with information about how to register.&amp;nbsp; Becoming a member is easy and inexpensive&#45;just $20.&amp;nbsp; You can also join at these levels:&amp;nbsp; Friend ($50), Patron ($100), Benefactor ($250), Lifetime ($750&#45;compare that to CAA&#8217;s $5,000 price tag for the same level!).&amp;nbsp; Go to http://www.ahaaonline.org and click on the Membership tab.

For the sessions we strongly encourage diversity in terms of race, ethnicity, gender, sexuality, etc. both in terms of research and presenters, and we seek balance with the representation of academics, museum professionals, independent scholars, and graduate students.&amp;nbsp; We encourage submissions from AHAA members at any career stage.&amp;nbsp; Symposium presenters must be AHAA members.

Please send a proposal (no more than 1 page) to the Co&#45;Chairs of the session of your choice.&amp;nbsp; Also attach a cover letter of interest, stating AHAA membership status, and your c.v.&amp;nbsp; Please remember that this event concerns art made before 1970.

Posted  in </description>
      <content:encoded><![CDATA[<p>The Association of Historians of American Art (AHAA) will host its first-ever independent symposium on American art, &#8220;Current Research in American Art,&#8221; Oct. 8-9, 2010 (Fri.-Sat., @ 8:00 am.-9:30 p.m.) at St. Francis College in Brooklyn.</p>

<p>There will be no registration fee to attend, but participants must be AHAA members.&nbsp;  Registration begins in mid-August.&nbsp; We&#8217;ll send out another email at that time with information about how to register.&nbsp; Becoming a member is easy and inexpensive-just $20.&nbsp; You can also join at these levels:&nbsp; Friend ($50), Patron ($100), Benefactor ($250), Lifetime ($750-compare that to CAA&#8217;s $5,000 price tag for the same level!).&nbsp; Go to <a href="http://www.ahaaonline.org">http://www.ahaaonline.org</a> and click on the Membership tab.</p>

<p>For the sessions we strongly encourage diversity in terms of race, ethnicity, gender, sexuality, etc. both in terms of research and presenters, and we seek balance with the representation of academics, museum professionals, independent scholars, and graduate students.&nbsp; We encourage submissions from AHAA members at any career stage.&nbsp; Symposium presenters must be AHAA members.</p>

<p>Please send a proposal (no more than 1 page) to the Co-Chairs of the session of your choice.&nbsp; Also attach a cover letter of interest, stating AHAA membership status, and your c.v.&nbsp; Please remember that this event concerns art made before 1970.</p>

<p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2010-05-29T06:00:50+00:00</dc:date>
    </item>

    <item>
      <title>The Crisis Digitized</title>
      <link>http://www.theasa.net/caucus_visual/item/the_crisis_digitized/</link>
      <guid>http://www.theasa.net/caucus_visual/item/the_crisis_digitized/#When:05:55:33Z</guid>
      <description>The Modernist Journals Project has begun to put online a run of the NAACPs/ W. E. B. Du Bois&#8217;s The Crisis from 1910 through 1922.&amp;nbsp; The issues for the first six months, when circulation rose from 1,000 to 10,000, are now on the site.

The Crisis: A Record of the Darker Races
New York: National Association for the Advancement of Colored People, 1910&#45;11/1911&#45;04

http://www.modjourn.org/render.php?view=mjp_object&amp;amp;id=crisiscollection
Posted  in </description>
      <content:encoded><![CDATA[<p>The Modernist Journals Project has begun to put online a run of the NAACPs/ W. E. B. Du Bois&#8217;s The Crisis from 1910 through 1922.&nbsp; The issues for the first six months, when circulation rose from 1,000 to 10,000, are now on the site.</p>

<p>The Crisis: A Record of the Darker Races<br />
New York: National Association for the Advancement of Colored People, 1910-11/1911-04</p>

<p><a href="http://www.modjourn.org/render.php?view=mjp_object&amp;id=crisiscollection">http://www.modjourn.org/render.php?view=mjp_object&amp;id=crisiscollection</a>
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2010-05-29T05:55:33+00:00</dc:date>
    </item>

    <item>
      <title>Crystal Bridges Names Director</title>
      <link>http://www.theasa.net/caucus_visual/item/crystal_bridges_names_director/</link>
      <guid>http://www.theasa.net/caucus_visual/item/crystal_bridges_names_director/#When:19:38:03Z</guid>
      <description>NEWS RELEASE 
August 17, 2009

&amp;nbsp;  &amp;nbsp;  &amp;nbsp; 
Contact:&amp;nbsp; Kelly Fritz Garrow, director of communications
419&#45;255&#45;8000 x 7408
419&#45;481&#45;3457 (cell)
&amp;nbsp;  &amp;nbsp;  &amp;nbsp; .(JavaScript must be enabled to view this email address)
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Director Don Bacigalupi to Leave Toledo Museum of Art in October

Toledo, Ohio&#45;The Toledo Museum of Art (TMA) announced today that Don
Bacigalupi, its president, director, and CEO since 2003, has accepted
the directorship at the Crystal Bridges Museum of American Art in
Bentonville, Arkansas.&amp;nbsp; Bacigalupi and Alice Walton, founder and chair
of the board of trustees of the Crystal Bridges Museum of American Art,
made the formal announcement at a press conference in Bentonville this
afternoon.&amp;nbsp; His last day at the Museum will be in mid&#45;October.&amp;nbsp; 

&#8220;I have enjoyed immensely my six years in Toledo,&#8221; Bacigalupi said.
&#8220;This Museum&#45;without question&#45;is one of the most brilliant gems among
cultural institutions anywhere, and it has been an honor to have led TMA
for these very productive years.&#8221;

A specialist in Post&#45;WWII contemporary art and popular culture,
Bacigalupi is credited with expanding the Museum&#8217;s contemporary art
collection through the acquisitions of such iconic works as Marisol&#8217;s
The Party, Duane Hanson&#8217;s Executive and Dale Chihuly&#8217;s Chandelier
Campiello del Remer #2.&amp;nbsp; During his tenure, he oversaw the construction
and opening of the renowned Glass Pavilion (2006), designed by the
Japanese firm SANAA, Sejima and Nishizawa and Associates.&amp;nbsp; This elegant
building was named &#8220;Best Museum&#8221; design in the world by Travel and
Leisure Magazine in 2007.

&#8220;Don Bacigalupi has been an outstanding director of the Toledo Museum of
Art,&#8221; said Betsy Brady, chair of the board of directors.&amp;nbsp; &#8220;His focus on
education, accessibility, creative programming, and outreach has engaged
and inspired new audiences.&amp;nbsp; That, combined with the ability to plan
strategically, extend a world class collection, motivate and inspire
talented staff, and maintain fiscal integrity in difficult economic
times, leaves the Museum in a very strong position to attract top
talent.&#8221;&amp;nbsp; 

Prior to his arrival in Toledo, Bacigalupi served as executive director
of the San Diego Museum of Art (1999&#45;2003); director and chief curator
of the Blaffer Gallery, the art museum of the University of Houston
(1995&#45;1999); and the Brown Curator of Contemporary Art at the San
Antonio Museum of Art (1993&#45;1995).

&#45;MORE&#45;

BACIGALUPI/ADD ONE

Crystal Bridges Museum of American Art, now under construction, will be
a premier art institution dedicated to American art and artists,
learning and community gatherings.&amp;nbsp; Museum founder Alice Walton, an
heiress to the Wal&#45;Mart fortune, has a vision for the institution not
unlike that of Edward and Florence Scott Libbey more than 100 years ago.
&#8220;I liken Miss Walton to the Libbeys in her passion for art and
community, education and accessibility,&#8221; Bacigalupi noted.

The complex will encompass more than 100,000 square feet of public
space, including galleries, meeting and classroom spaces, a large
auditorium, areas for outdoor concerts and public events, and sculpture
and walking trails.&amp;nbsp; The museum takes its name from the nearby natural
springs and the unique glass&#45;and&#45;wood design of architect Moshe Safdie.

&#8220;While we are saddened to lose Don&#8217;s talented and forward looking
leadership, he has been offered a remarkable opportunity to fulfill a
vision very similar to that of the Libbeys&#45;in another locale a century
later, which has to be incredibly exciting.&amp;nbsp; We are proud and happy for
Don and his family and wish him all the best,&#8221; Brady said.

The executive committee of the Toledo Museum of Art board of directors
will name an acting director and discuss plans for a nationwide search
for Bacigalupi&#8217;s replacement within the next two weeks.&amp;nbsp; &#8220;We are
confident of identifying another exciting leader for the next chapter of
Museum history, and accomplishing a smooth transition through broad
community support and a highly capable internal staff,&#8221; Brady said.

Don Bacigalupi was only the eighth director in the Museum&#8217;s 109&#45;year
history.
Posted  in </description>
      <content:encoded><![CDATA[<p>NEWS RELEASE <br />
August 17, 2009</p>

<p>&nbsp;  &nbsp;  &nbsp; <br />
Contact:&nbsp; Kelly Fritz Garrow, director of communications<br />
419-255-8000 x 7408<br />
419-481-3457 (cell)<br />
&nbsp;  &nbsp;  &nbsp; <span id='eeEncEmail_HZP79KqL3k'>.(JavaScript must be enabled to view this email address)</span><script type="text/javascript">
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<p>Director Don Bacigalupi to Leave Toledo Museum of Art in October</p>

<p>Toledo, Ohio-The Toledo Museum of Art (TMA) announced today that Don<br />
Bacigalupi, its president, director, and CEO since 2003, has accepted<br />
the directorship at the Crystal Bridges Museum of American Art in<br />
Bentonville, Arkansas.&nbsp; Bacigalupi and Alice Walton, founder and chair<br />
of the board of trustees of the Crystal Bridges Museum of American Art,<br />
made the formal announcement at a press conference in Bentonville this<br />
afternoon.&nbsp; His last day at the Museum will be in mid-October.&nbsp; </p>

<p>&#8220;I have enjoyed immensely my six years in Toledo,&#8221; Bacigalupi said.<br />
&#8220;This Museum-without question-is one of the most brilliant gems among<br />
cultural institutions anywhere, and it has been an honor to have led TMA<br />
for these very productive years.&#8221;</p>

<p>A specialist in Post-WWII contemporary art and popular culture,<br />
Bacigalupi is credited with expanding the Museum&#8217;s contemporary art<br />
collection through the acquisitions of such iconic works as Marisol&#8217;s<br />
The Party, Duane Hanson&#8217;s Executive and Dale Chihuly&#8217;s Chandelier<br />
Campiello del Remer #2.&nbsp; During his tenure, he oversaw the construction<br />
and opening of the renowned Glass Pavilion (2006), designed by the<br />
Japanese firm SANAA, Sejima and Nishizawa and Associates.&nbsp; This elegant<br />
building was named &#8220;Best Museum&#8221; design in the world by Travel and<br />
Leisure Magazine in 2007.</p>

<p>&#8220;Don Bacigalupi has been an outstanding director of the Toledo Museum of<br />
Art,&#8221; said Betsy Brady, chair of the board of directors.&nbsp; &#8220;His focus on<br />
education, accessibility, creative programming, and outreach has engaged<br />
and inspired new audiences.&nbsp; That, combined with the ability to plan<br />
strategically, extend a world class collection, motivate and inspire<br />
talented staff, and maintain fiscal integrity in difficult economic<br />
times, leaves the Museum in a very strong position to attract top<br />
talent.&#8221;&nbsp; </p>

<p>Prior to his arrival in Toledo, Bacigalupi served as executive director<br />
of the San Diego Museum of Art (1999-2003); director and chief curator<br />
of the Blaffer Gallery, the art museum of the University of Houston<br />
(1995-1999); and the Brown Curator of Contemporary Art at the San<br />
Antonio Museum of Art (1993-1995).</p>

<p>-MORE-</p>

<p>BACIGALUPI/ADD ONE</p>

<p>Crystal Bridges Museum of American Art, now under construction, will be<br />
a premier art institution dedicated to American art and artists,<br />
learning and community gatherings.&nbsp; Museum founder Alice Walton, an<br />
heiress to the Wal-Mart fortune, has a vision for the institution not<br />
unlike that of Edward and Florence Scott Libbey more than 100 years ago.<br />
&#8220;I liken Miss Walton to the Libbeys in her passion for art and<br />
community, education and accessibility,&#8221; Bacigalupi noted.</p>

<p>The complex will encompass more than 100,000 square feet of public<br />
space, including galleries, meeting and classroom spaces, a large<br />
auditorium, areas for outdoor concerts and public events, and sculpture<br />
and walking trails.&nbsp; The museum takes its name from the nearby natural<br />
springs and the unique glass-and-wood design of architect Moshe Safdie.</p>

<p>&#8220;While we are saddened to lose Don&#8217;s talented and forward looking<br />
leadership, he has been offered a remarkable opportunity to fulfill a<br />
vision very similar to that of the Libbeys-in another locale a century<br />
later, which has to be incredibly exciting.&nbsp; We are proud and happy for<br />
Don and his family and wish him all the best,&#8221; Brady said.</p>

<p>The executive committee of the Toledo Museum of Art board of directors<br />
will name an acting director and discuss plans for a nationwide search<br />
for Bacigalupi&#8217;s replacement within the next two weeks.&nbsp; &#8220;We are<br />
confident of identifying another exciting leader for the next chapter of<br />
Museum history, and accomplishing a smooth transition through broad<br />
community support and a highly capable internal staff,&#8221; Brady said.</p>

<p>Don Bacigalupi was only the eighth director in the Museum&#8217;s 109-year<br />
history.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2009-08-17T19:38:03+00:00</dc:date>
    </item>

    <item>
      <title>A message from the Association of College  and University Museums and Galleries</title>
      <link>http://www.theasa.net/caucus_visual/item/a_message_from_the_association_of_college_and_university_museums_and_galler/</link>
      <guid>http://www.theasa.net/caucus_visual/item/a_message_from_the_association_of_college_and_university_museums_and_galler/#When:19:15:52Z</guid>
      <description>Dear academic museum colleagues and supporters,

Many thanks to the nearly 200 ACUMG&#45;L members who signed our petition 
in the last week.&amp;nbsp; I write again to ask you&#8212;if you haven&#8217;t already&#8212;to 
take a moment and sign on to our proposition that Great Universities 
have Great Museums.&amp;nbsp; This petition is one of several initiatives 
currently  underway by the multi&#45;association Task Force on College and 
University Collections (AAM, AAMD, ACUMG, CAA, Kress Foundation, UMAC). 
&amp;nbsp; Our goal is to publish this petition as a one&#45;page ad this fall in The 
Chronicle of Higher Education in order to place it in front of the 
nation&#8217;s university presidents and trustees, some of whom are already 
signing on with you!

Thank you for taking a moment to sign at:

http://www.acumg.org/petition.php
David Robertson, President, ACUMG and Task&#45;Force Co&#45;Chair
Posted  in </description>
      <content:encoded><![CDATA[<p>Dear academic museum colleagues and supporters,</p>

<p>Many thanks to the nearly 200 ACUMG-L members who signed our petition <br />
in the last week.&nbsp; I write again to ask you&#8212;if you haven&#8217;t already&#8212;to <br />
take a moment and sign on to our proposition that Great Universities <br />
have Great Museums.&nbsp; This petition is one of several initiatives <br />
currently  underway by the multi-association Task Force on College and <br />
University Collections (AAM, AAMD, ACUMG, CAA, Kress Foundation, UMAC). <br />
&nbsp; Our goal is to publish this petition as a one-page ad this fall in The <br />
Chronicle of Higher Education in order to place it in front of the <br />
nation&#8217;s university presidents and trustees, some of whom are already <br />
signing on with you!</p>

<p>Thank you for taking a moment to sign at:</p>

<p><a href="http://www.acumg.org/petition.php">http://www.acumg.org/petition.php</a><br />
David Robertson, President, ACUMG and Task-Force Co-Chair
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2009-07-14T19:15:52+00:00</dc:date>
    </item>

    <item>
      <title>Symposium  What’s Modern about American Art, 1900&#45;1930?  June 19&#45;20, 2009  Chicago and Milwaukee</title>
      <link>http://www.theasa.net/caucus_visual/item/symposium_whats_modern_about_american_art_1900&#45;1930_june_19&#45;20_2009_chicago/</link>
      <guid>http://www.theasa.net/caucus_visual/item/symposium_whats_modern_about_american_art_1900&#45;1930_june_19&#45;20_2009_chicago/#When:15:08:23Z</guid>
      <description>Featuring both established scholars and new voices in the field of
American art and visual culture, this two&#45;day, two&#45;city symposium will
address the question of American modernism. Through an innovative,
interactive format consisting of a series of brief &#8220;keyword&#8221; talks, panel
discussions, and exhibition gallery talks, the many manifestations of
American modernism in progressive painting and design between 1900 and the
early 1930s will be investigated. Sample keywords include museums,
transatlantic, realism, and authenticity, among others. Pulitzer Prize
winning historian Michael Kammen will deliver the keynote lecture, &#8220;Visual
Culture in Progressive America: Anomalies and Achievements.&#8221;

The symposium coincides with two exhibitions at the Milwaukee Art Museum
(MAM): The Eight and American Modernisms, organized by the Terra
Foundation for American Art (TFAA) in collaboration with the New Britain
Museum of American Art and MAM; and The Artistic Furniture of Charles
Rohlfs, organized by MAM, the Chipstone Foundation, and American
Decorative Art 1900 Foundation (ADA1900). The symposium is being convened
by TFAA in collaboration with MAM and ADA1900.

For more information or to register, call 312.654.2278 or visit
http://terraamericanart.org/modernism&#45;symposium.
Posted  in </description>
      <content:encoded><![CDATA[<p>Featuring both established scholars and new voices in the field of<br />
American art and visual culture, this two-day, two-city symposium will<br />
address the question of American modernism. Through an innovative,<br />
interactive format consisting of a series of brief &#8220;keyword&#8221; talks, panel<br />
discussions, and exhibition gallery talks, the many manifestations of<br />
American modernism in progressive painting and design between 1900 and the<br />
early 1930s will be investigated. Sample keywords include museums,<br />
transatlantic, realism, and authenticity, among others. Pulitzer Prize<br />
winning historian Michael Kammen will deliver the keynote lecture, &#8220;Visual<br />
Culture in Progressive America: Anomalies and Achievements.&#8221;</p>

<p>The symposium coincides with two exhibitions at the Milwaukee Art Museum<br />
(MAM): The Eight and American Modernisms, organized by the Terra<br />
Foundation for American Art (TFAA) in collaboration with the New Britain<br />
Museum of American Art and MAM; and The Artistic Furniture of Charles<br />
Rohlfs, organized by MAM, the Chipstone Foundation, and American<br />
Decorative Art 1900 Foundation (ADA1900). The symposium is being convened<br />
by TFAA in collaboration with MAM and ADA1900.</p>

<p>For more information or to register, call 312.654.2278 or visit<br />
<a href="http://terraamericanart.org/modernism-symposium">http://terraamericanart.org/modernism-symposium</a>.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2009-05-29T15:08:23+00:00</dc:date>
    </item>

    <item>
      <title>Call For Action:&amp;nbsp; Fund Museums in the Stimulus Bill</title>
      <link>http://www.theasa.net/caucus_visual/item/call_for_action_fund_museums_in_the_stimulus_bill/</link>
      <guid>http://www.theasa.net/caucus_visual/item/call_for_action_fund_museums_in_the_stimulus_bill/#When:00:50:53Z</guid>
      <description>AMERICAN ASSOCIATION OF MUSEUMS
ACT NOW Museum Advocacy Update

Amendment Excluding Museums Passes Senate, 73&#45;24
Tell Congress About Your Museum&#8217;s Economic Impact!

During Senate consideration of the economic recovery legislation today, an amendment was passed prohibiting funds from going to museums, zoos, and aquariums. The amendment, offered by Sen. Tom Coburn (S. Amdt. No. 309), states, &#8220;None of the amounts appropriated or otherwise made available by this Act may be used for any casino or other gambling establishment, aquariums, zoo, golf course, swimming pool, stadium, community park, museum, theater, art center and highway beautification project. &#8220;

The amendment was adopted on a 73&#45;24 vote.

Differences between the House and Senate versions of the economic stimulus legislation will have to be resolved in a House&#45;Senate conference committee before the bill is submitted to the President.

&#8220;Congress needs to be reminded that museums are a vital part of our economy,&#8221; said AAM President Ford W. Bell. &#8220;It&#8217;s time for us to make our case and I am calling on all museums to send their Members of Congress an Economic Impact Statement showing the ways in which their museum contributes to the economy.&#8221;

Most Members of Congress do not realize that museums employ more than a quarter&#45;million Americans, spend an estimated $14.5 billion annually, and rank among the top three family vacation destinations. Let them know about the local impact your museum has by contacting your U.S. Senators and Representative today!

Visit http://www.speakupformuseums.org for more information about AAM&#8217;s advocacy for museums.
Posted  in </description>
      <content:encoded><![CDATA[<p>AMERICAN ASSOCIATION OF MUSEUMS<br />
ACT NOW Museum Advocacy Update</p>

<p>Amendment Excluding Museums Passes Senate, 73-24<br />
Tell Congress About Your Museum&#8217;s Economic Impact!</p>

<p>During Senate consideration of the economic recovery legislation today, an amendment was passed prohibiting funds from going to museums, zoos, and aquariums. The amendment, offered by Sen. Tom Coburn (S. Amdt. No. 309), states, &#8220;None of the amounts appropriated or otherwise made available by this Act may be used for any casino or other gambling establishment, aquariums, zoo, golf course, swimming pool, stadium, community park, museum, theater, art center and highway beautification project. &#8220;</p>

<p>The amendment was adopted on a 73-24 vote.</p>

<p>Differences between the House and Senate versions of the economic stimulus legislation will have to be resolved in a House-Senate conference committee before the bill is submitted to the President.</p>

<p>&#8220;Congress needs to be reminded that museums are a vital part of our economy,&#8221; said AAM President Ford W. Bell. &#8220;It&#8217;s time for us to make our case and I am calling on all museums to send their Members of Congress an Economic Impact Statement showing the ways in which their museum contributes to the economy.&#8221;</p>

<p>Most Members of Congress do not realize that museums employ more than a quarter-million Americans, spend an estimated $14.5 billion annually, and rank among the top three family vacation destinations. Let them know about the local impact your museum has by contacting your U.S. Senators and Representative today!</p>

<p>Visit <a href="http://www.speakupformuseums.org">http://www.speakupformuseums.org</a> for more information about AAM&#8217;s advocacy for museums.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject>News</dc:subject>
      <dc:date>2009-02-10T00:50:53+00:00</dc:date>
    </item>

    <item>
      <title>Petition in Opposition to the Closing of the Rose Art Museum</title>
      <link>http://www.theasa.net/caucus_visual/item/petition_in_opposition_to_the_closing_of_the_rose_art_museum/</link>
      <guid>http://www.theasa.net/caucus_visual/item/petition_in_opposition_to_the_closing_of_the_rose_art_museum/#When:15:44:34Z</guid>
      <description>Posted  in </description>
      <content:encoded><![CDATA[<p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2009-01-28T15:44:34+00:00</dc:date>
    </item>

    <item>
      <title>Brandeis to close Rose Art Museum</title>
      <link>http://www.theasa.net/caucus_visual/item/brandeis_to_close_rose_art_museum/</link>
      <guid>http://www.theasa.net/caucus_visual/item/brandeis_to_close_rose_art_museum/#When:13:31:18Z</guid>
      <description>Another University collection is being deaccessioned due to the financial turbulence.
Posted  in </description>
      <content:encoded><![CDATA[<p>Another University collection is being deaccessioned due to the financial turbulence.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2009-01-27T13:31:18+00:00</dc:date>
    </item>

    <item>
      <title>Call for Participation: 2010 College Art Association Conference Session</title>
      <link>http://www.theasa.net/caucus_visual/item/call_for_participation_2010_college_art_association_conference_session/</link>
      <guid>http://www.theasa.net/caucus_visual/item/call_for_participation_2010_college_art_association_conference_session/#When:03:26:14Z</guid>
      <description>&#8220;Rethinking Consumption in the History of American Art,&#8221; Association of Historians of American Art  sponsored session at the CAA meeting in Chicago, February 10&#45;13, 2010
Posted  in </description>
      <content:encoded><![CDATA[<p>&#8220;Rethinking Consumption in the History of American Art,&#8221; Association of Historians of American Art  sponsored session at the CAA meeting in Chicago, February 10-13, 2010
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject>News</dc:subject>
      <dc:date>2009-01-26T03:26:14+00:00</dc:date>
    </item>

    <item>
      <title>A Message from the Caucus Chair</title>
      <link>http://www.theasa.net/caucus_visual/item/a_message_from_the_caucus_chair/</link>
      <guid>http://www.theasa.net/caucus_visual/item/a_message_from_the_caucus_chair/#When:14:14:39Z</guid>
      <description>Greetings and Happy New Year.&amp;nbsp; I hope you are all working on visual culture proposals for the 2009 Conference.&amp;nbsp; Please be sure to let programming chair Tanya Sheehan (.(JavaScript must be enabled to view this email address)
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) know about panels which could be eligible for Caucus sponsorship.&amp;nbsp; 

Due to the high volume of SPAM over the break, I have deleted a number of announcements and turned off the &#8220;allow comments&#8221; function on those which remain.&amp;nbsp; I hope you all will continue to post annoncements here.&amp;nbsp; Please note that if caucus members want to respond to a posting, they can compose a new contribution to the blog.
Posted  in </description>
      <content:encoded><![CDATA[<p>Greetings and Happy New Year.&nbsp; I hope you are all working on visual culture proposals for the 2009 Conference.&nbsp; Please be sure to let programming chair Tanya Sheehan (<span id='eeEncEmail_O58QU4I3n7'>.(JavaScript must be enabled to view this email address)</span><script type="text/javascript">
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</script>) know about panels which could be eligible for Caucus sponsorship.&nbsp; </p>

<p>Due to the high volume of SPAM over the break, I have deleted a number of announcements and turned off the &#8220;allow comments&#8221; function on those which remain.&nbsp; I hope you all will continue to post annoncements here.&nbsp; Please note that if caucus members want to respond to a posting, they can compose a new contribution to the blog.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject>News</dc:subject>
      <dc:date>2009-01-06T14:14:39+00:00</dc:date>
    </item>

    <item>
      <title>ANN: LIFE photo archive online</title>
      <link>http://www.theasa.net/caucus_visual/item/ann_life_photo_archive_online/</link>
      <guid>http://www.theasa.net/caucus_visual/item/ann_life_photo_archive_online/#When:18:26:22Z</guid>
      <description>http://images.google.com/hosted/life

A link has also been added to the digital image collections page.
Posted  in </description>
      <content:encoded><![CDATA[<p><a href="http://images.google.com/hosted/life">http://images.google.com/hosted/life</a></p>

<p>A link has also been added to the digital image collections page.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-19T18:26:22+00:00</dc:date>
    </item>

    <item>
      <title>The John H. Daniels Fellowship at the National Sporting Library</title>
      <link>http://www.theasa.net/caucus_visual/item/the_john_h._daniels_fellowship_at_the_national_sporting_library/</link>
      <guid>http://www.theasa.net/caucus_visual/item/the_john_h._daniels_fellowship_at_the_national_sporting_library/#When:17:36:29Z</guid>
      <description>Posted  in </description>
      <content:encoded><![CDATA[<p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-18T17:36:29+00:00</dc:date>
    </item>

    <item>
      <title>Call for participation: Visual culture studies at the 2009 ASA Meeting</title>
      <link>http://www.theasa.net/caucus_visual/item/call_for_participation_visual_culture_studies_at_the_2009_asa_meeting/</link>
      <guid>http://www.theasa.net/caucus_visual/item/call_for_participation_visual_culture_studies_at_the_2009_asa_meeting/#When:03:36:00Z</guid>
      <description>The Visual Culture Caucus of the ASA is currently seeking session and paper proposals for the 2009 ASA meeting, which will be held November 5&#45;8 in Washington, DC.
Posted  in </description>
      <content:encoded><![CDATA[<p>The Visual Culture Caucus of the ASA is currently seeking session and paper proposals for the 2009 ASA meeting, which will be held November 5-8 in Washington, DC.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject>News</dc:subject>
      <dc:date>2008-11-10T03:36:00+00:00</dc:date>
    </item>

    <item>
      <title>Position&#8212;Collections Specialist</title>
      <link>http://www.theasa.net/caucus_visual/item/position_collections_specialist/</link>
      <guid>http://www.theasa.net/caucus_visual/item/position_collections_specialist/#When:14:08:01Z</guid>
      <description>Collections Specialist
Archives of American Art, Washington, D.C.
 
Please visit http://www.usajobs.com to view the full listing and to apply.
Job announcement number:&amp;nbsp; 09A&#45;LG&#45;294719&#45;TRF&#45;AAA
Posted  in </description>
      <content:encoded><![CDATA[<p>Collections Specialist<br />
Archives of American Art, Washington, D.C.<br />
 
Please visit <a href="http://www.usajobs.com">http://www.usajobs.com</a> to view the full listing and to apply.<br />
Job announcement number:&nbsp; 09A-LG-294719-TRF-AAA
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-06T14:08:01+00:00</dc:date>
    </item>

    <item>
      <title>Call for papers:  Feeling Photography</title>
      <link>http://www.theasa.net/caucus_visual/item/call_for_papers_feeling_photography/</link>
      <guid>http://www.theasa.net/caucus_visual/item/call_for_papers_feeling_photography/#When:15:07:49Z</guid>
      <description>Feeling Photography: Call for Papers
October 16&#45;17th 2009 
University of Toronto
Toronto Ontario Canada
Posted  in </description>
      <content:encoded><![CDATA[<p>Feeling Photography: Call for Papers<br />
October 16-17th 2009 <br />
University of Toronto<br />
Toronto Ontario Canada
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-05T15:07:49+00:00</dc:date>
    </item>

    <item>
      <title>Position Listing:  Assistant Curator, Detroit Institute of Art</title>
      <link>http://www.theasa.net/caucus_visual/item/position_listing_assistant_curator_detroit_institute_of_art/</link>
      <guid>http://www.theasa.net/caucus_visual/item/position_listing_assistant_curator_detroit_institute_of_art/#When:15:06:30Z</guid>
      <description>Detroit Institute of Arts
Assistant Curator
American Art Department
Posted  in </description>
      <content:encoded><![CDATA[<p>Detroit Institute of Arts<br />
Assistant Curator<br />
American Art Department
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-05T15:06:30+00:00</dc:date>
    </item>

    <item>
      <title>New Resource:  Picturing U.S. History</title>
      <link>http://www.theasa.net/caucus_visual/item/new_resource_picturing_u.s._history/</link>
      <guid>http://www.theasa.net/caucus_visual/item/new_resource_picturing_u.s._history/#When:15:04:22Z</guid>
      <description>Picturing United States History: An Online Resource for Teaching with Visual Evidence.
Posted  in </description>
      <content:encoded><![CDATA[<p>Picturing United States History: An Online Resource for Teaching with Visual Evidence.
</p><p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-11-05T15:04:22+00:00</dc:date>
    </item>

    <item>
      <title>Member Publications</title>
      <link>http://www.theasa.net/caucus_visual/member_publications/</link>
      <guid>http://www.theasa.net/caucus_visual/member_publications/#When:19:08:35Z</guid>
      <description>List of recent publications by membersPosted  in </description>
      <content:encoded><![CDATA[List of recent publications by members<p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2008-10-27T19:08:35+00:00</dc:date>
    </item>

    <item>
      <title>Events</title>
      <link>http://www.theasa.net/caucus_visual/events/</link>
      <guid>http://www.theasa.net/caucus_visual/events/#When:14:37:00Z</guid>
      <description>Posted  in </description>
      <content:encoded><![CDATA[<p>Posted  in 
<a href="http://www.theasa.net/caucus_visual/">Visual Culture / Art History Caucus</a>
</p>]]></content:encoded>
      <dc:subject></dc:subject>
      <dc:date>2007-12-10T14:37:00+00:00</dc:date>
    </item>

    
    </channel>
</rss>