If you haven’t already, register to start contributing news and events, and to search the Member Directory. Registration is free, but only open to current members of the American Studies Association.
The following people are members of this group:
The following people are administrators of this group:
We're sorry. You are not yet a member of the Visual Culture / Art History Caucus.
Register or login to join this group.
The Visual Culture/Art History Caucus was organized many years ago by Patricia Hills to provide a home within the ASA for scholars working in the fields of American visual culture and art history. Its members include teachers, museum curators, librarians, and others who research a variety of visual forms and media, such as painting, photography, sculpture, film, television, advertisements, cartoons, visual ethnographies, and the Internet. The VC/AH Caucus works closely with the national organizing committees and councils of the ASA; organizes and sponsors sessions, conducts business, and co-hosts a reception at the ASA’s annual meeting.
Through this discussion board, the Caucus acts as a clearinghouse for people teaching and doing research in visual culture and art history and those seeking to broaden their community or to gain the advice of other scholars and teachers.
Association of Historians of American Art (AHAA) Professional Session at the CAA Annual Conference in Dallas.
Now that everyone has submitted their proposals for next year’s conference, I’d like to turn our attention to this blog.
Some of you may already be aware of our colleagues’ attempts to halt the Maier Museum of
Art’s sale of several important American paintings. I’m forwarding some valuable information about this situation that has been assembled by Sarah Cash of the Corcoran Museum. There’s still time to make a year-end donation.
The sale of works in public collections and the weakening of historically-important collections of American art is of vital interest to our community. As the recent success keeping the Gross Clinic in Philadelphia attests, public action can make a difference.
I’d like to put together a panel or round table on film studies within American Studies for the 2008 Meeting.
I understand that some of you have had difficulties using the button at right to join this group. For a portion of you, this is because your membership in the ASA is not current. If that is the case, you will receive an auto-reply to this effect, with a link to the online membership page. If you are experiencing problems for another reason, you should contact me using the “Contact” button above or get in touch with the ASA tech folks using the “Contact” button in the blue toolbar at right.
I appreciate your patience as we all get accustomed to this new format.
2/26/08: “Selling Out: Are College Art Collections a Learning Resource or a
"Selling Out” will explore several aspects of a hot topic in the art
museum world: What are the major factors that go into deciding which
art objects remain in or are de-accessioned (i.e., somehow removed) from
college and university art collections? How are these decision made?
And: What are the short-term and long-term ramifications of these
decisions?
The program will open with a talk by Sarah Cash, Smith class of 1980,
former director of the Maier Museum of Art, Randolph College, from 1995
to 1998. In October 2007, four major works from the permanent
collection of the Maier Museum were removed from the college to be sold
- despite protests from museum staff, faculty, and alumnae- to support
the endowment of the college and, according to college authorities, to
protect its accreditation.
Immediately following Ms. Cash’s presentation, there will be a
half-hour panel discussion (panel will include John M. Connolly,
Professor of Philosophy, Smith College; Jessica Nicoll, Director and
Chief Curator of the Smith College Museum of Art; and others).
For directions visit www-dot-smith-dot-e-d-u-backslash-artmuseum
~~~
For more information, log on to http://www.smith.edu/artmuseum/
_______________________________________________________________________
If you do not wish to continue receiving these notices, please
unsubscribe by sending an email to
Submitted by Elizabeth Hutchinson
Categories:
3/04/08: “Selling Out: Are College Art Collections a Learning Resource or a
"Selling Out” will explore several aspects of a hot topic in the art
museum world: What are the major factors that go into deciding which
art objects remain in or are de-accessioned (i.e., somehow removed) from
college and university art collections? How are these decision made?
And: What are the short-term and long-term ramifications of these
decisions?
The program will open with a talk by Sarah Cash, Smith class of 1980,
former director of the Maier Museum of Art, Randolph College, from 1995
to 1998. In October 2007, four major works from the permanent
collection of the Maier Museum were removed from the college to be sold
- despite protests from museum staff, faculty, and alumnae- to support
the endowment of the college and, according to college authorities, to
protect its accreditation.
Immediately following Ms. Cash’s presentation, there will be a
half-hour panel discussion (panel will include John M. Connolly,
Professor of Philosophy, Smith College; Jessica Nicoll, Director and
Chief Curator of the Smith College Museum of Art; and others).
For directions visit www-dot-smith-dot-e-d-u-backslash-artmuseum
~~~
For more information, log on to http://www.smith.edu/artmuseum/
_______________________________________________________________________
If you do not wish to continue receiving these notices, please
unsubscribe by sending an email to
Submitted by Elizabeth Hutchinson
Categories:
American Quarterly [official journal site]
American Quarterly [editorial site]