About these images


Login

Log in is required on this site ONLY to join an ASA member community group and contribute to the community blogs.

Are you a current ASA member?
Forgot your password?

Register

Register here for the annual meeting and to begin or renew an ASA membership

Register here to submit a proposal through the ASA's 2012 submission site.

Register here for JHU Press and ASA membership services, including online access to American Quarterly and the Encyclopedia of American Studies Online.

Register here to join an ASA community. Only current ASA members may contribute to the community blogs. Registration is not required to submit display or text ads or news and events or to view many pages. We will refuse posts that are not of professional interest to ASA members.

Click here for membership FAQ's

Member Tools

We're sorry. You are not yet a member of the Science and Technology Caucus.

Register or login to join this group.

MAIN | Announcements | Research | Syllabi | Publication and Fellowship Opportunities | Contact | Contact Members

Science and Technology Caucus

Research Interests

The following lists our members’ research interests and is intended to facilitate collaboration and panel ideas for future conferences. If you would like to add your information to the list, please send it to laney.monique@gmail.com.

Sarah McCullough
science & technologies studies, material culture, technologies and bodies, ethics of care, space and mobilities, bicycles, athleticism, sustainability, fashion theory, cultural studies

Tanya Sheehan
is an assistant professor in the Art History Department at Rutgers University, where she teaches courses on art and science, race and representation, and the history of photography. Her forthcoming book, “Doctor Photo: The Medicine of Photography in American Culture” (Penn State University Press), explores the relationship between studio portrait photography and medical discourse in the nineteenth century. She is currently working on a second book that examines racial humor in ideas about the science and technology of photography, from 1839 to the mid-twentieth century.